This oral history interview is an intimate conversation between two people, both of whom have generously agreed to share this recording with Oral History Summer School, and with you. Please listen in the spirit with which this was shared.

This interview is hereby made available for research purposes only. For additional uses (radio and other media, music, internet), please inquire about permissions.

All rights are reserved by Oral History Summer School.

Researchers will understand that:

  • Oral History Summer School abides by the General Principles & Best Practices for Oral History as agreed upon by the Oral History Association (2018) and expects that use of this material will be done with respect for these professional ethics.
  • Unless verbal patterns are germane to your scholarly work, when quoting from this material researchers are encouraged to correct the grammar and make other modifications maintaining the flavor of the narrator’s speech while editing the material for the standards of print.
  • All citations must be attributed to Oral History Summer School:
    Narrator’s Name, Oral history interview, YYYY, Oral History Summer School

Cassandra Marsillo

May 21, 2018


Hudson, NY


Recorded by

Walter Hergt

This interview is available in-person only. Please get in touch if you would like to listen.
Is this your interview?
Click here to respond.

This song and narrative about the song was sung by Cassandra Marsillo in a ground-level room at Drop Forge and Tool in Hudson, NY. Cassandra is a Canadian citizen in her early twenties, has grown up in Montreal, Quebec and is currently pursuing a graduate degree in Ottawa, Ontario. Cassandra sings two versions of the song, Edelweiss, from The Sound of Music – the first version was the song itself and the second version was how her father would sing it two her sister and herself when they were children. Cassandra describes the first time her father inserted “little girls” in place of “edelweiss” and the desire by both her and her sister that if / when they would marry, they each wanted Edelweiss to be the first song played at the reception in which they would dance with their father.

This interview may be of interest to those who want to hear a personal interpretation of a popular song; who want to survey father/daughter relationships; sister relationships; legacy of once-popular culture.

No items found.
Interviewer Bio:
Walter Hergt

Walter Hergt is a multimedia documentarian, a carpenter, a repeat student at Oral History Summer School in Hudson, New York, and works with The Watershed Center where he lives in Millerton, New York. Walter identifies as a white male and is in his mid-forties.

Additional Info:
Interview language(s):
No items found.
Audio quality:

Audio Quality Scale

Low - There is some background noise and the narrator is hard to hear.

Medium - There is background noise, but the narrator is audible.

High - There is little background noise and the narrator is audible.


This interview is hereby made available for research purposes only. For additional uses (radio and other media, music, internet), please click here to inquire about permissions.

Part of this interview may be played in a radio broadcast or podcast.

Oral history is an iterative process. In keeping with oral history values of anti-fixity, interviewees will have an opportunity to add, annotate and reflect upon their lives and interviews in perpetuity. Talking back to the archive is a form of “shared authority.”

Is this your interview?
Click here
to leave updates or reflections on your life, your interview or your listening experience.
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.